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The Orchestral Suite No. 4, Op. 61, more commonly known as Mozartiana, is an orchestral suite written by Peter Iiyich Tchaikovsky in 1887 as a tribute to Wolfgang Amadeus Mozart on the 100th anniversary of that composer's opera Don Giovanni.
It is based on the Ave Verum from the middle ages that Mozart had arranged. Tchaikovsky conducted the premiere himself, in Moscow, November 1887.

Miroslav Philharmonik

Movement 3
Andante ma non tanto, B-flat major
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Uploaded: Feb 09, 2014 - 09:16:02 AM
Last Updated: Feb 09, 2014 - 05:28:11 PM Last Played: Jul 28, 2019 - 03:04:51 AM
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magnatone said 2023 days ago (February 9th, 2014)
oh Scottie, this is fabulous. One of my fave Tschaikovsky - you've done it real justice! Thanks sir for the D/L!
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Daugrin said 2023 days ago (February 9th, 2014)
Tributation to Mozart
Wonderous! A reliable platform and much patience must be required. Well done Sir!

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Bowman said 2023 days ago (February 9th, 2014)
Tchaikovsky adored Mozart
- probably his favorite composer. This is a loving tribute to Wolfgang by him and a loving tribute to both of them by you Scotty.
Just beautiful.
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TommyBlueBoy said 2023 days ago (February 9th, 2014)
Very nicely done.
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BirdmanWayne94 said 2022 days ago (February 10th, 2014)
You always...
... teach me a lesson with every one of your posts. Incredible arrangement. I always dig your song descriptions too because they give insight and set the mood for every piece quite well. Excellent, as usual.
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PeterB7858 said 2022 days ago (February 10th, 2014)
Quality listen, Scotty. I really like the emotional swell of the strings that Tchaikovsky turned into an art form. Thanks, Peter.
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Mystified said 2021 days ago (February 11th, 2014)
So lovely...
Beautifully done, Scotty! Thank you.
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paul f. page said 2017 days ago (February 14th, 2014)
I wonder...
...what Mozart (or Tchaikovsky) would have done had they an orchestra living inside their hard drives. ...
You have achieved a very rich sound with the orchestration, especially when horns and winds enter, though the strings are quite beautifully rendered, too. I know how hard it is to get digital strings to sound right and I think you have done an excellent job with them for the most part. Now and again this gets a little loud all of a sudden (e.g. 2:42 and from about 3:00-3:40), but I have to admire the patience you demonstrate in laying all these tracks down so well...and your general sensitivity to the sound you are creating. It's really quite astonishing. Lucky us to hear your vision for this (and other) beautiful piece.
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MidiOrleans said 2017 days ago (February 15th, 2014)
Thank you for the kind words Paul. Yes dynamics can really be a challenge, trying to
build as you move along without any spikes unless called for. I am trying to hold back on all volumes
then I have more headroom to expand when desired. Velocity of individual notes is a lot of work but I find it humanizes the MIDI music and gives the desired warm sounds all music strives for.
I wonder also what the composers would have thought of digital music. Some never lived to hear their compositions performed by an orchestra.
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Charday said 2017 days ago (February 15th, 2014)
Amazing job! What a beautiful piece! Great job Scotty! Jd.
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Hydrogen3 said 1827 days ago (August 23rd, 2014)
This is lovely!
I been in classical mode myself lately! :)
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Name: Scotty Hill
Location: New Orleans Louisiana USA
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My name is Scotty Hill and I use the name MidiOrleans for my computer music projects. I was born and grew up in New Orleans. Many genres of music can be found here. We have a very fine symphony and opera, as well as contemporary jazz, gospel, blues,... [see more]

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